4/34 Robert
Morton Organ Ohio
Theatre - Columbus, OH Solo Chamber
16' Diaphonic Diapason and 16' Tuba Mirabilis
The
16' Diaphonic Diapason and 16' Tuba Mirabilis ranks represent two of
the largest and loudest sets of pipes in the organ. While the Tuba
Mirabilis rank can be found in both theater and classical organs, the
Diaphonic Diapason is almost exclusively found in theater organs.
The 16'
Diaphonic Diapason rank is a mixture of wood and metal pipes. The
lowest 12 notes are wood and everything else is metal. Some of the
wood pipes of this rank can be seen in the photo to the right. In
addition, the lowest four notes are mitered pipes. The in the
center of the photo on the right is the
longest unmitered wood pipe (pitch EEE), and the first
mitered pipe (pitch DDD#).
The largest
pipes of the 16' Tuba Mirabilis (metal pipes in the photo) are also
mitered in order to fit in the chamber. The largest pipe of
the
rank is just left of center (pitch CCC). These pipes are
secured
to a piece of wood towards the top of the pipe using metal straps.
Both of these ranks require a lot of air in order to get them to speak
at the volume needed to blend with the rest of the organ. The lowest 12
notes of both ranks are on 20" of wind pressure. By comparison most
church organs are rarely over 5" of wind pressure, even on the pedal
pipes.
Below
are three photos of the wood 16' Diaphonic Diapason pipes. The massive
size and mitering
of these pipes
is illustrated in the left photo. Also note the humidity control in the
left photo. Each chamber is temperature and humidity controlled in
order to keep as constant climate environment as possible.
This helps to keep the pipes in tune. The front of
each pipe is stamped with its pitch as can be seen in the
middle
and right photos. These photos also illustrate how tight things are in
the
chamber.
Tucked away in the front
corner of the chamber is the largest pipe of the 16' Diaphonic Diapason
rank, pitch CCC. Getting back to it requires maneuvering around the two
tower bells on the organ.
Due to the pipe's overall
length, mitering the pipe requires it to almost fold over itself. Also
visible on the pipe is the bottom of the tuning slide. Loosening the
wing nut visible at the top allows the tuning slide to be adjusted.
Just left of this pipe is the CCC# pipe.
The
mitering of the Tuba Mirabilis pipes is very interesting to look at
first hand.
Compare these pipes with the mitered 8' Trompette rank pipes on this
organ.
The center photo has a couple noteworthy items. First, the vertical
wood
on the left is the ladder used to climb the levels of pipes. Counting
ground level, there
are three levels of pipes in this chamber. Also, note the light gray
air supply pipe next to the ladder.
Left:
Here are some of the smaller pipes of the 16' Tuba Mirabilis rank. Much
less imposing, these look like pipes found on a church organ.
Right:
Here's a
better look at how some of the pipes are strapped to keep from falling
over. From left to right are pitch B, A#, A, G#.
Written on the largest Tuba Mirabilis pipe is "Columbus Ohio". From a
distance it looks like it is written in the dust, but a closer
inspection reveals it is written in chalk. Other pipes in the organ
also have "Columbus" written on them and in a similar style of
handwriting. Thus it is entirely possible that this was written by
someone at the Robert Morton factory. Neat to see it has lasted so many
years.